01. |
Scarlatti, D: Keyboard Sonata in D Major, Kk. 96
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4min 35s |
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02. |
Scarlatti, D: Keyboard Sonata in B Minor, Kk. 27
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4min 13s |
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03. |
Scarlatti, D: Keyboard Sonata in D Major, Kk. 492
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3min 16s |
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04. |
Scarlatti, D: Keyboard Sonata in E Major, Kk. 531
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3min 24s |
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05. |
Scarlatti, D: Keyboard Sonata in C-Sharp Minor, Kk. 247
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5min 28s |
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06. |
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 9 "Pastorale"
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3min 32s |
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07. |
Scarlatti, D: Keyboard Sonata in C Major, Kk. 159 "La Caccia"
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1min 58s |
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08. |
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 69
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4min 8s |
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09. |
Scarlatti, D: Keyboard Sonata in D Major, Kk. 33
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2min 39s |
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10. |
Scarlatti, D: Keyboard Sonata in B Minor, Kk. 87
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7min 13s |
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11. |
Scarlatti, D: Keyboard Sonata in G Major, Kk. 427
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2min 2s |
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12. |
Scarlatti, D: Keyboard Sonata in E-Flat Major, Kk. 193
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4min 18s |
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13. |
Scarlatti, D: Keyboard Sonata in G Minor, Kk. 30 "The Cat's Fugue"
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3min 49s |
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14. |
Schubert: 4 Impromptus, Op. 90, D. 899: No. 1 in C Minor
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8min 59s |
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15. |
Schubert: 4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major
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4min 12s |
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16. |
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major
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5min 8s |
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17. |
Schubert: 4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major
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6min 53s |
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18. |
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 1 in C Major
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5min 3s |
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19. |
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 2 in A-Flat Major
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6min 5s |
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20. |
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor
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1min 44s |
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21. |
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 4 in C-Sharp Minor
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4min 20s |
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22. |
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 5 in F Minor
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2min 0s |
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23. |
Schubert: 6 Moments musicaux, Op. 94, D. 780: No. 6 in A-Flat Major
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7min 30s |
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24. |
Chopin: Scherzo No. 1 in B Minor, Op. 20
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8min 53s |
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25. |
Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31
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9min 34s |
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26. |
Chopin: Scherzo No. 3 in C-Sharp Minor, Op. 39
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6min 46s |
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27. |
Chopin: Scherzo No. 4 in E Major, Op. 54
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10min 31s |
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28. |
Chopin: Impromptu No. 1 in A-Flat Major, Op. 29
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3min 49s |
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29. |
Chopin: Impromptu No. 2 in F-Sharp Major, Op. 36
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5min 19s |
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30. |
Chopin: Impromptu No. 3 in G-Flat Major, Op. 51
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4min 38s |
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31. |
Chopin: Fantaisie-impromptu in C-Sharp Minor, Op. 66
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4min 28s |
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32. |
Liszt: Mephisto Waltz No. 1, S. 514
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11min 5s |
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33. |
Liszt: Liebesträume, S. 541: No. 3 in A-Flat Major
|
4min 29s |
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34. |
Liszt: 6 Études d'exécution transcendante d'après Paganini, S. 140: IV. Arpeggio
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2min 2s |
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35. |
Liszt: Années de pèlerinage III, Italie, S. 163: IV. Les jeux d'eau à la Villa d'Este
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7min 35s |
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36. |
Liszt: 2 Légendes, S. 175: II. Saint François de Paule marchant sur les flots
|
9min 16s |
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37. |
Liszt: É12 tudes d'exécution transcendante, S. 139: V. Feux follets (Allegretto)
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3min 54s |
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38. |
Liszt: Années de pèlerinage I, Suisse, S. 160: VI. La Vallée d'Oberman
|
14min 16s |
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39. |
Bach, JS: Chromatic Fantasia & Fugue in D Minor, BWV 903
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12min 19s |
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40. |
Bach, JS: Partita No. 2 in C Minor, BWV 826: I. Sinfonia
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4min 25s |
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41. |
Bach, JS: Partita No. 2 in C Minor, BWV 826: II. Allemande
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3min 9s |
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42. |
Bach, JS: Partita No. 2 in C Minor, BWV 826: III. Courante
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2min 16s |
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43. |
Bach, JS: Partita No. 2 in C Minor, BWV 826: IV. Sarabande
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2min 47s |
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44. |
Bach, JS: Partita No. 2 in C Minor, BWV 826: V. Rondeaux
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1min 26s |
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45. |
Bach, JS: Partita No. 2 in C Minor, BWV 826: VI. Capriccio
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3min 15s |
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46. |
Bach, JS: Partita No. 5 in G Major, BWV 829: I. Praeambulum
|
2min 7s |
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47. |
Bach, JS: Partita No. 5 in G Major, BWV 829: II. Allemande
|
2min 46s |
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48. |
Bach, JS: Partita No. 5 in G Major, BWV 829: III. Corrente
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1min 30s |
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49. |
Bach, JS: Partita No. 5 in G Major, BWV 829: IV. Sarabande
|
3min 35s |
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50. |
Bach, JS: Partita No. 5 in G Major, BWV 829: V. Tempo di Minuetto
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2min 14s |
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51. |
Bach, JS: Partita No. 5 in G Major, BWV 829: VI. Passepied
|
1min 23s |
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52. |
Bach, JS: Partita No. 5 in G Major, BWV 829: VII. Gigue
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3min 14s |
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53. |
Ravel: Piano Concerto in G Major, M. 83: I. Allegramente
|
8min 4s |
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54. |
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai
|
9min 38s |
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55. |
Ravel: Piano Concerto in G Major, M. 83: III. Presto
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4min 4s |
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56. |
Ravel: Piano Concerto for the Left Hand in D Major, M. 82
|
18min 54s |
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57. |
Debussy: Fantaisie for Piano and Orchestra, L. 72a, L. 73: I. Andante, ma non troppo - Allegro giusto
|
8min 54s |
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58. |
Debussy: Fantaisie for Piano and Orchestra, L. 72a, L. 73: II. Lento e molto espressivo
|
8min 22s |
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59. |
Debussy: Fantaisie for Piano and Orchestra, L. 72a, L. 73: III. Allegro molto
|
7min 47s |
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60. |
Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro ed agitato
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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9min 13s |
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61. |
Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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7min 11s |
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62. |
Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo (Leggierro e vivace)
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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3min 36s |
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63. |
Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49: IV. Finale (Allegro assai appassionato)
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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8min 16s |
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64. |
Mendelssohn: Piano Trio No. 2 in C Minor, Op. 66: I Allegro energico e con fuoco
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
|
10min 43s |
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65. |
Mendelssohn: Piano Trio No. 2 in C Minor, Op. 66: II. Andante espressivo
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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6min 52s |
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66. |
Mendelssohn: Piano Trio No. 2 in C Minor, Op. 66: III. Scherzo (Molto allegro quasi presto)
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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3min 26s |
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67. |
Mendelssohn: Piano Trio No. 2 in C Minor, Op. 66: IV. Finale (Allegro appassionato)
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
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7min 42s |
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68. |
Ravel: Miroirs, M. 43: I. Noctuelles
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4min 52s |
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69. |
Ravel: Miroirs, M. 43: II. Oiseaux tristes
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4min 11s |
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70. |
Ravel: Miroirs, M. 43: III. Une barque sur l'océan
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6min 54s |
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71. |
Ravel: Miroirs, M. 43: IV. Alborada del gracioso
|
6min 11s |
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72. |
Ravel: Miroirs, M. 43: V. La Vallée des cloches
|
6min 0s |
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73. |
Ravel: Le Tombeau de Couperin, M. 68: I. Prélude
|
2min 48s |
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74. |
Ravel: Le Tombeau de Couperin, M. 68: II. Fugue
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3min 31s |
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75. |
Ravel: Le Tombeau de Couperin, M. 68: III. Forlane
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6min 37s |
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76. |
Ravel: Le Tombeau de Couperin, M. 68: IV. Rigaudon
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3min 6s |
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77. |
Ravel: Le Tombeau de Couperin, M. 68: V. Menuet
|
5min 59s |
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78. |
Ravel: Le Tombeau de Couperin, M. 68: VI. Toccata
|
3min 42s |
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79. |
Beethoven: Triple Concerto in C Major, Op. 56: I. Allegro
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
|
17min 55s |
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80. |
Beethoven: Triple Concerto in C Major, Op. 56: II. Largo
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
|
5min 51s |
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81. |
Beethoven: Triple Concerto in C Major, Op. 56: III. Rondo alla polacca
[Anne Queffélec, Frédéric Lodéon, Pierre Amoyal]
|
13min 21s |
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82. |
Fauré: Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto
|
9min 23s |
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83. |
Fauré: Violin Sonata No. 1 in A Major, Op. 13: II. Andante
|
6min 36s |
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84. |
Fauré: Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo
|
3min 51s |
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85. |
Fauré: Violin Sonata No. 1 in A Major, Op. 13: IV. Allegro quasi presto
|
5min 29s |
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86. |
Fauré: Violin Sonata No. 2 in E Minor, Op. 108: I. Andante non troppo
|
8min 44s |
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87. |
Fauré: Violin Sonata No. 2 in E Minor, Op. 108: II. Andante
|
8min 37s |
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88. |
Fauré: Violin Sonata No. 2 in E Minor, Op. 108: III. Allegro non troppo
[Anne Queffélec, Pierre Amoyal]
|
6min 3s |
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89. |
Schubert: Fantasia for Piano Four-Hands in F Minor, Op. Posth. 103, D. 940: I. Allegro molto moderato
[Anne Queffélec, Imogen Cooper]
|
4min 53s |
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90. |
Schubert: Fantasia for Piano Four-Hands in F Minor, Op. Posth. 103, D. 940: II. Largo
[Anne Queffélec, Imogen Cooper]
|
2min 52s |
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91. |
Schubert: Fantasy in C Minor, D. 2e
[Anne Queffélec, Imogen Cooper]
|
11min 20s |
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92. |
Schubert: Allegro for Piano Four-Hands in A Minor, Op. Posth. 144, D. 947 "Lebensstürme"
[Anne Queffélec, Imogen Cooper]
|
11min 18s |
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93. |
Schubert: 6 Polonaises for Piano Four-Hands, Op. 61, D. 824: No. 1 in D Minor
[Anne Queffélec, Imogen Cooper]
|
3min 39s |
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94. |
Schubert: 6 Polonaises for Piano Four-Hands, Op. 61, D. 824: No. 2 in F Major
[Anne Queffélec, Imogen Cooper]
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4min 26s |
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95. |
Schubert: 6 Polonaises for Piano Four-Hands, Op. 61, D. 824: No. 3 in B-Flat Major
[Anne Queffélec, Imogen Cooper]
|
5min 43s |
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96. |
Schubert: 6 Polonaises for Piano Four-Hands, Op. 61, D. 824: No. 4 in D Major
[Anne Queffélec, Imogen Cooper]
|
5min 33s |
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97. |
Schubert: 6 Polonaises for Piano Four-Hands, Op. 61, D. 824: No. 5 in A Major
[Anne Queffélec, Imogen Cooper]
|
4min 25s |
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98. |
Schubert: 6 Polonaises for Piano Four-Hands, Op. 61, D. 824: No. 6 in E Major
[Anne Queffélec, Imogen Cooper]
|
4min 51s |
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99. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Theme. Allegretto
[Anne Queffélec, Imogen Cooper]
|
1min 32s |
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100. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation I
[Anne Queffélec, Imogen Cooper]
|
1min 18s |
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101. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation II
[Anne Queffélec, Imogen Cooper]
|
1min 16s |
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102. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation III. Un poco più lento
[Anne Queffélec, Imogen Cooper]
|
2min 1s |
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103. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation IV
[Anne Queffélec, Imogen Cooper]
|
1min 19s |
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104. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation V
[Anne Queffélec, Imogen Cooper]
|
2min 11s |
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105. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation VI. Maestoso
[Anne Queffélec, Imogen Cooper]
|
1min 41s |
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106. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation VII. Più lento
[Anne Queffélec, Imogen Cooper]
|
3min 33s |
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107. |
Schubert: 8 Variations on an Original Theme for Piano Four-Hands, Op. 35, D. 813: Variation VIII. Allegro moderato
[Anne Queffélec, Imogen Cooper]
|
4min 24s |
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108. |
Schubert: Sonata for Piano Four-Hands in C Major, Op. Posth. 140, D. 812 "Grand Duo": I. Allegro moderato
[Anne Queffélec, Imogen Cooper]
|
15min 4s |
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109. |
Schubert: Sonata for Piano Four-Hands in C Major, Op. Posth. 140, D. 812 "Grand Duo": II. Andante
[Anne Queffélec, Imogen Cooper]
|
10min 23s |
|
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110. |
Schubert: Sonata for Piano Four-Hands in C Major, Op. Posth. 140, D. 812 "Grand Duo": III. Scherzo. Allegro vivace - Trio
[Anne Queffélec, Imogen Cooper]
|
5min 32s |
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111. |
Schubert: Sonata for Piano Four-Hands in C Major, Op. Posth. 140, D. 812 "Grand Duo": IV. Allegro vivace
[Anne Queffélec, Imogen Cooper]
|
10min 8s |
|
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112. |
Schubert: Rondo in A Major for Piano Four-Hands, Op. 107, D. 951 "Grand Rondeau"
[Anne Queffélec, Imogen Cooper]
|
12min 1s |
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113. |
Schubert: 3 Marches militaires, Op. 51, D. 733: No. 1 in D Major
[Anne Queffélec, Imogen Cooper]
|
4min 56s |
|
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114. |
Schubert: 3 Marches militaires, Op. 51, D. 733: No. 2 in G Major
[Anne Queffélec, Imogen Cooper]
|
3min 12s |
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115. |
Schubert: 3 Marches militaires, Op. 51, D. 733: No. 3 in E-Flat Major
[Anne Queffélec, Imogen Cooper]
|
5min 56s |
|
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116. |
Schubert: Divertissement sur des motifs originaux français, D. 823: II. (a) Andantino varié
[Anne Queffélec, Imogen Cooper]
|
1min 12s |
|
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117. |
Schubert: Divertissement sur des motifs originaux français, D. 823: II. (b) Variation I
[Anne Queffélec, Imogen Cooper]
|
1min 15s |
|
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118. |
Schubert: Divertissement sur des motifs originaux français, D. 823: II. (c) Variation II
[Anne Queffélec, Imogen Cooper]
|
1min 11s |
|
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119. |
Schubert: Divertissement sur des motifs originaux français, D. 823: II. (d) Variation III
[Anne Queffélec, Imogen Cooper]
|
1min 16s |
|
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120. |
Schubert: Divertissement sur des motifs originaux français, D. 823: II. (e) Variation IV
[Anne Queffélec, Imogen Cooper]
|
3min 31s |
|
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121. |
Debussy: 12 Études, L. 143a, L. 136, Book 1: I. Pour les "cinq doigts"
|
3min 3s |
|
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122. |
Debussy: 12 Études, L. 143a, L. 136, Book 1: II. Pour les Tierces
|
3min 33s |
|
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123. |
Debussy: 12 Études, L. 143a, L. 136, Book 1: III. Pour les Quartes
|
5min 28s |
|
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124. |
Debussy: 12 Études, L. 143a, L. 136, Book 1: IV. Pour les Sixtes
|
4min 18s |
|
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125. |
Debussy: 12 Études, L. 143a, L. 136, Book 1: V. Pour les Octaves
|
2min 43s |
|
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126. |
Debussy: 12 Études, L. 143a, L. 136, Book 1: VI. Pour les huit doigts
|
1min 46s |
|
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127. |
Debussy: 12 Études, L. 143b, L. 136, Book 2: VII. Pour les degrés chromatiques
|
2min 22s |
|
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128. |
Debussy: 12 Études, L. 143b, L. 136, Book 2: VIII. Pour les agréments
|
5min 18s |
|
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129. |
Debussy: 12 Études, L. 143b, L. 136, Book 2: IX. Pour les notes répétées
|
3min 27s |
|
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130. |
Debussy: 12 Études, L. 143b, L. 136, Book 2: X. Pour les sonorités opposées
|
5min 30s |
|
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131. |
Debussy: 12 Études, L. 143b, L. 136, Book 2: XI. Pour les arpèges composés
|
4min 38s |
|
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132. |
Debussy: 12 Études, L. 143b, L. 136, Book 2: XII. Pour les accords
|
5min 8s |
|
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133. |
Bach, JS: Concerto for 4 Keyboards in A Minor, BWV 1065: I. Allegro
[Michel Dalberto, Anne Queffélec, Jacques Gauthier, Pascal Devoyon]
|
4min 3s |
|
|
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|
134. |
Bach, JS: Concerto for 4 Keyboards in A Minor, BWV 1065: II. Largo
[Michel Dalberto, Anne Queffélec, Jacques Gauthier, Pascal Devoyon]
|
2min 20s |
|
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|
135. |
Bach, JS: Concerto for 4 Keyboards in A Minor, BWV 1065: III. Allegro
[Michel Dalberto, Anne Queffélec, Jacques Gauthier, Pascal Devoyon]
|
3min 29s |
|
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|
136. |
Bach, JS: Concerto for 3 Keyboards in D Minor, BWV 1063: I. Allegro
[Michel Dalberto, Anne Queffélec, Pascal Devoyon]
|
5min 24s |
|
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|
137. |
Bach, JS: Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana
[Michel Dalberto, Anne Queffélec, Pascal Devoyon]
|
4min 38s |
|
|
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|
138. |
Bach, JS: Concerto for 3 Keyboards in D Minor, BWV 1063: III. Allegro
[Michel Dalberto, Anne Queffélec, Pascal Devoyon]
|
5min 11s |
|
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|
139. |
Bach, JS: Concerto for 3 Keyboards in C Major, BWV 1064: I. Allegro
[Michel Dalberto, Jacques Gauthier, Pascal Devoyon]
|
7min 9s |
|
|
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|
140. |
Bach, JS: Concerto for 3 Keyboards in C Major, BWV 1064: II. Adagio
[Michel Dalberto, Jacques Gauthier, Pascal Devoyon]
|
6min 16s |
|
|
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|
141. |
Bach, JS: Concerto for 3 Keyboards in C Major, BWV 1064: III. Allegro
[Michel Dalberto, Jacques Gauthier, Pascal Devoyon]
|
4min 56s |
|
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|
142. |
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo
[Jean-Bernard Pommier, Anne Queffélec, City of London Sinfonia, Richard Hickox]
|
8min 13s |
|
|
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|
143. |
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto
[Jean-Bernard Pommier, Anne Queffélec, City of London Sinfonia, Richard Hickox]
|
5min 49s |
|
|
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|
144. |
Poulenc: Concerto for Two Pianos in D Minor, FP 61: III. Finale. Allegro molto
[Jean-Bernard Pommier, Anne Queffélec, City of London Sinfonia, Richard Hickox]
|
5min 45s |
|
|
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|
145. |
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: I. Vivace (Cadenza by Badura-Skoda)
|
8min 15s |
|
|
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|
146. |
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: II. Un poco adagio (Cadenza by Badura-Skoda)
|
7min 1s |
|
|
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|
147. |
Haydn: Keyboard Concerto in D Major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assai
|
4min 16s |
|
|
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|
148. |
Haydn: Keyboard Concerto in G Major, Hob. XVIII:4: I. Allegro moderato
|
8min 51s |
|
|
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|
149. |
Haydn: Keyboard Concerto in G Major, Hob. XVIII:4: II. Adagio
|
8min 24s |
|
|
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|
150. |
Haydn: Keyboard Concerto in G Major, Hob. XVIII:4: III. Presto (Cadenza by Veyron-Lacroix)
|
4min 21s |
|
|
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|
151. |
Hummel: Gesellschafts-Rondo for Piano and Orchestra, Op. 117: I. Adagio con grand' espressione
|
7min 4s |
|
|
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|
152. |
Hummel: Gesellschafts-Rondo for Piano and Orchestra, Op. 117: II. Rondo. Molto vivace
|
6min 19s |
|
|
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|
153. |
Beethoven: Bagatelle No. 25 in A Minor, WoO 59, "Für Elise"
|
3min 7s |
|
|
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|
154. |
Chopin: Berceuse, Op. 57
|
4min 35s |
|
|
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|
155. |
Mendelssohn: 6 Lieder ohne Worte, Op. 67: IV. Spinnerlied
|
1min 59s |
|
|
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|
156. |
Schubert: Ungarische Melodie in B Minor, D. 817
|
4min 4s |
|
|
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|
157. |
Debussy: Suite bergamasque, L. 82, L. 75: III. Clair de lune
|
4min 11s |
|
|
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|
158. |
Scarlatti, D: Keyboard Sonata in B Minor, Kk. 27
|
4min 4s |
|
|
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|
159. |
Bach, JS: Herz und Mund und Tat und Leben, BWV 147, Pt. 2: X. "Jesus bleibet meine Freude" (Arr. Hess for Piano)
|
3min 45s |
|
|
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|
160. |
Chopin: Fantaisie-impromptu in C-Sharp Minor, Op. 66
|
4min 59s |
|
|
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|
161. |
Bach, JS: Das wohltemperierte Klavier I, BWV 846-869: Prelude No. 1 in C Major, BWV 846
|
1min 27s |
|
|
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162. |
Daquin: Pièces de Clavecin, Troisième Suite: XVI. Le Coucou
|
1min 44s |
|
|
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|
163. |
Satie: 6 Gnossiennes: No. 1, Lent
|
3min 34s |
|
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|
164. |
Handel: Minuet in G Minor, HWV 434/4 (Arr Kempff for Piano)
|
5min 17s |
|
|
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|
165. |
Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major
|
1min 30s |
|
|
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|
166. |
Debussy: Images, L. 105, L. 110, Book 1: I. Reflets dans l'eau
|
5min 13s |
|
|
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|
167. |
Chopin: 12 Études, Op. 10: No. 12 in C Minor, "Revolutionary"
|
2min 54s |
|
|
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|
168. |
Rachmaninov: Morceaux de fantaisie, Op. 3: II. Prelude in C-Sharp Minor
|
5min 14s |
|
|
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|
169. |
Falla: El amor brujo: VIII. Danza ritual del fuego
|
4min 11s |
|
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|
170. |
Satie: 6 Gnossiennes: No. 1, Lent
|
3min 25s |
|
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171. |
Satie: 6 Gnossiennes: No. 2, Avec étonnement
|
1min 45s |
|
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|
172. |
Satie: 6 Gnossiennes: No. 3, Lent
|
2min 43s |
|
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173. |
Satie: 6 Gnossiennes: No. 4, Lent
|
2min 21s |
|
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|
174. |
Satie: 6 Gnossiennes: No. 5, Modéré
|
3min 54s |
|
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|
175. |
Satie: 6 Gnossiennes: No. 6, Avec conviction et avec une tristesse rigoureuse
|
1min 23s |
|
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176. |
Satie: 3 Véritables préludes flasques, pour un chien: No. 1, Sévère réprimande
|
0min 43s |
|
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|
177. |
Satie: 3 Véritables préludes flasques, pour un chien: No. 2, Seul à la maison
|
1min 17s |
|
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178. |
Satie: 3 Véritables préludes flasques, pour un chien: No. 3, On joue
|
0min 45s |
|
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|
179. |
Satie: Vieux séquins et vieilles cuirasses: No. 1, Chez le marchand d'or
|
1min 34s |
|
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|
180. |
Satie: Vieux séquins et vieilles cuirasses: No. 2, Danse cuirassée
|
0min 53s |
|
|
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|
181. |
Satie: Vieux séquins et vieilles cuirasses: No. 3, La défaite des Cimbres
|
1min 28s |
|
|
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|
182. |
Satie: Chapitres tournés en tous sens: No. 1, Celle qui parle trop
|
0min 56s |
|
|
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|
183. |
Satie: Chapitres tournés en tous sens: No. 2, Le porteur de grosses pierres
|
2min 18s |
|
|
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|
184. |
Satie: Chapitres tournés en tous sens: No. 3, Regrets des enfermés
|
2min 15s |
|
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185. |
Satie: 3 Gymnopédies: No. 1, Lent et douloureux
|
3min 31s |
|
|
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|
186. |
Satie: 3 Gymnopédies: No. 2, Lent et triste
|
2min 54s |
|
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|
187. |
Satie: 3 Gymnopédies: No. 3, Lent et grave
|
2min 44s |
|
|
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188. |
Satie: Embryons desséchés: No. 1, D'Holothurie
|
1min 49s |
|
|
|
|
189. |
Satie: Embryons desséchés: No. 2, D'Edriophthalma
|
2min 54s |
|
|
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|
190. |
Satie: Embryons desséchés: No. 3, De Podophthalma
|
1min 36s |
|
|
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|
191. |
Je te veux
|
5min 11s |
|
|
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|
192. |
Satie: Sonatine bureaucratique: I. Allegro
|
0min 51s |
|
|
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|
193. |
Satie: Sonatine bureaucratique: II. Andante
|
1min 17s |
|
|
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|
194. |
Satie: Sonatine bureaucratique: III. Vivace
|
1min 26s |
|
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|
195. |
Satie: Heures séculaires et instantanées: No. 1, Obstacles venimeux
|
2min 3s |
|
|
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|
196. |
Satie: Heures séculaires et instantanées: No. 2, Crépuscule matinal (de midi)
|
0min 51s |
|
|
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|
197. |
Satie: Heures séculaires et instantanées: No. 3, Affolements granitiques
|
0min 44s |
|
|
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|
198. |
Satie: Le Piccadilly
|
1min 37s |
|
|
|
|
199. |
Satie: Avant-dernières pensées: I. Idylle, à Debussy
|
1min 10s |
|
|
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|
200. |
Satie: Avant-dernières pensées: No. 2, Aubade. À Paul Dukas
|
1min 23s |
|
|
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|
201. |
Satie: Avant-dernières pensées: No. 3, Méditation. À Albert Roussel
|
0min 55s |
|
|
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|
202. |
Satie: Sports et divertissements: No. 1, Choral inappétissant
|
0min 58s |
|
|
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|
203. |
Satie: Sports et divertissements: No. 2, La balançoire
|
0min 47s |
|
|
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|
204. |
Satie: Sports et divertissements: No. 3, La chasse
|
0min 18s |
|
|
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|
205. |
Satie: Sports et divertissements: No. 4, La comédie italienne
|
0min 44s |
|
|
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|
206. |
Satie: Sports et divertissements: No. 5, Le réveil de la mariée
|
0min 27s |
|
|
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|
207. |
Satie: Sports et divertissements: No. 6, Colin-maillard
|
1min 2s |
|
|
|
|
208. |
Satie: Sports et divertissements: No. 7, La pêche
|
0min 35s |
|
|
|
|
209. |
Satie: Sports et divertissements: No. 8, Le yachting
|
1min 11s |
|
|
|
|
210. |
Satie: Sports et divertissements: No. 9, Le bain de mer
|
0min 32s |
|
|
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|
211. |
Satie: Sports et divertissements: No. 10, Le carnaval
|
0min 32s |
|
|
|
|
212. |
Satie: Sports et divertissements: No. 11, Le golf
|
0min 30s |
|
|
|
|
213. |
Satie: Sports et divertissements: No. 12, La pieuvre
|
0min 38s |
|
|
|
|
214. |
Satie: Sports et divertissements: No. 13, Les courses
|
0min 22s |
|
|
|
|
215. |
Satie: Sports et divertissements: No. 14, Les quatre coins
|
0min 45s |
|
|
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|
216. |
Satie: Sports et divertissements: No. 15, Le pique-nique
|
0min 23s |
|
|
|
|
217. |
Satie: Sports et divertissements: No. 16, Le water-chute
|
0min 41s |
|
|
|
|
218. |
Satie: Sports et divertissements: No. 17, Le tango perpétuel
|
1min 24s |
|
|
|
|
219. |
Satie: Sports et divertissements: No. 18, Le traîneau
|
0min 23s |
|
|
|
|
220. |
Satie: Sports et divertissements: No. 19, Le flirt
|
0min 45s |
|
|
|
|
221. |
Satie: Sports et divertissements: No. 20, Le feu d'artifice
|
0min 24s |
|
|
|
|
222. |
Satie: Sports et divertissements: No. 21, Le tennis
|
0min 54s |
|
|
|
|
223. |
Satie: Croquis et agaceries d'un gros bonhomme en bois: No. 1, Tyrolienne turque
|
1min 29s |
|
|
|
|
224. |
Satie: Croquis et agaceries d'un gros bonhomme en bois: No. 2, Danse maigre
|
1min 26s |
|
|
|
|
225. |
Satie: Croquis et agaceries d'un gros bonhomme en bois: No. 3, Españaña
|
1min 15s |
|
|
|
|
226. |
Satie: Descriptions automatiques: No. 1, Sur un vaisseau
|
1min 45s |
|
|
|
|
227. |
Satie: Descriptions automatiques: No. 2, Sur une lanterne
|
1min 39s |
|
|
|
|
228. |
Satie: Descriptions automatiques: No. 3, Sur un casque
|
1min 6s |
|
|
|
|
229. |
Satie: 3 Valses distinguées du précieux dégoûté: No. 1, Sa taille, à Roland Manuel
|
0min 55s |
|
|
|
|
230. |
Satie: 3 Valses distinguées du précieux dégoûté: No. 2, Son binocle, à Mademoiselle Linette Chalupt
|
1min 13s |
|
|
|
|
231. |
Satie: 3 Valses distinguées du précieux dégoûté: No. 3, Ses jambes, à René Chalupt
|
0min 39s |
|
|
|
|
232. |
Satie / Rev. Caby: Petite ouverture à danser
|
1min 24s |
|
|
|
|
233. |
Satie: Valse-ballet in B-Flat Major
|
1min 43s |
|
|
|
|
234. |
Satie: Fantaisie-valse in D-Flat Major
|
2min 7s |
|
|
|
|
235. |
Satie: Les pantins dansent
|
1min 44s |
|
|
|
|
236. |
Satie: Caresse
|
1min 47s |
|
|
|
|
237. |
Satie / Rev. Caby: Danses de travers
|
2min 29s |
|
|
|
|
238. |
Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, I. D'une manière très particulière
|
2min 43s |
|
|
|
|
239. |
Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, II. Modestement
|
1min 49s |
|
|
|
|
240. |
Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, III. S'inviter
|
2min 57s |
|
|
|
|
241. |
Satie: 6 Pièces froides, Pt. 2: Danses de travers, I. En y regardant à deux fois
|
1min 10s |
|
|
|
|
242. |
Satie: 6 Pièces froides, Pt. 2: Danses de travers, II. Passer
|
1min 2s |
|
|
|
|
243. |
Satie: 6 Pièces froides, Pt. 2: Danses de travers, III. Encore
|
1min 46s |
|
|
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|
244. |
Satie: Première pensée Rose + Croix
|
1min 15s |
|
|
|
|
245. |
Satie: Prélude de la porte héroïque du ciel
|
4min 55s |
|
|
|
|
246. |
Satie: Passacaille
|
2min 51s |
|
|
|
|
247. |
Satie: Prélude en tapisserie
|
2min 37s |
|
|
|
|
248. |
Satie: Poudre d'or
|
4min 38s |
|
|
|
|
249. |
Satie: 3 Morceaux en forme de poire: Manière de commencement
[Anne Queffélec, Catherine Collard]
|
3min 18s |
|
|
|
|
250. |
Satie: 3 Morceaux en forme de poire: Prolongation du même
[Anne Queffélec, Catherine Collard]
|
1min 1s |
|
|
|
|
251. |
Satie: 3 Morceaux en forme de poire: Morceau No. 1
[Anne Queffélec, Catherine Collard]
|
1min 29s |
|
|
|
|
252. |
Satie: 3 Morceaux en forme de poire: Morceau No. 2
[Anne Queffélec, Catherine Collard]
|
2min 38s |
|
|
|
|
253. |
Satie: 3 Morceaux en forme de poire: Morceau No. 3
[Anne Queffélec, Catherine Collard]
|
2min 43s |
|
|
|
|
254. |
Satie: 3 Morceaux en forme de poire: En plus
[Anne Queffélec, Catherine Collard]
|
1min 56s |
|
|
|
|
255. |
Satie: 3 Morceaux en forme de poire: Redite
[Anne Queffélec, Catherine Collard]
|
1min 19s |
|
|
|
|
256. |
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version)
[Anne Queffélec, Catherine Collard]
|
1min 40s |
|
|
|
|
257. |
Satie: La belle excentrique: No. 2, Marche franco-lunaire (Piano 4-Hands Version)
[Anne Queffélec, Catherine Collard]
|
1min 26s |
|
|
|
|
258. |
Satie: La belle excentrique: No. 3, Valse du mystérieux baiser dans l'œil (Piano 4-Hands Version)
[Anne Queffélec, Catherine Collard]
|
1min 55s |
|
|
|
|
259. |
Satie: La belle excentrique: No. 4, Cancan grand-mondain (Piano 4-Hands Version)
[Anne Queffélec, Catherine Collard]
|
1min 39s |
|
|
|
|
260. |
Ravel: Le Tombeau de Couperin, M. 68: I. Prélude
|
3min 12s |
|
|
|
|
261. |
Ravel: Le Tombeau de Couperin, M. 68: II. Fugue
|
4min 3s |
|
|
|
|
262. |
Ravel: Le Tombeau de Couperin, M. 68: III. Forlane
|
6min 41s |
|
|
|
|
263. |
Ravel: Le Tombeau de Couperin, M. 68: IV. Rigaudon
|
3min 27s |
|
|
|
|
264. |
Ravel: Le Tombeau de Couperin, M. 68: V. Menuet
|
5min 50s |
|
|
|
|
265. |
Ravel: Le Tombeau de Couperin, M. 68: VI. Toccata
|
4min 2s |
|
|
|
|
266. |
Ravel: Pavane pour une infante défunte, M. 19
|
7min 5s |
|
|
|
|
267. |
Ravel : Menuet antique, M. 7
|
6min 16s |
|
|
|
|
268. |
Ravel : Miroirs, M. 43: I. Noctuelles
|
5min 15s |
|
|
|
|
269. |
Ravel: Miroirs, M. 43: II. Oiseaux tristes
|
4min 39s |
|
|
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|
270. |
Ravel: Miroirs, M. 43: III. Une barque sur l'océan
|
7min 45s |
|
|
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|
271. |
Ravel: Miroirs, M. 43: IV. Alborada del gracioso
|
7min 17s |
|
|
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|
272. |
Ravel: Miroirs, M. 43: V. La Vallée des cloches
|
6min 0s |
|
|
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|
273. |
Ravel: Jeux d'eau, M. 30
|
6min 11s |
|
|
|
|
274. |
Ravel: Sonatine, M. 40: I. Modéré
|
4min 30s |
|
|
|
|
275. |
Ravel: Sonatine, M. 40: II. Mouvement de menuet
|
3min 52s |
|
|
|
|
276. |
Ravel: Sonatine, M. 40: III. Animé
|
3min 56s |
|
|
|
|
277. |
Ravel: Prélude, M. 65
|
1min 45s |
|
|
|
|
278. |
Ravel: Sérénade grotesque, M. 5
|
3min 31s |
|
|
|
|
279. |
Ravel: Valses nobles et sentimentales, M. 61: No. 1, Modéré, très franc
|
1min 21s |
|
|
|
|
280. |
Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense
|
2min 29s |
|
|
|
|
281. |
Ravel: Valses nobles et sentimentales, M. 61: No. 3, Modéré
|
1min 26s |
|
|
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|
282. |
Ravel: Valses nobles et sentimentales, M. 61: No. 4, Assez animé
|
1min 11s |
|
|
|
|
283. |
Ravel: Valses nobles et sentimentales, M. 61: No. 5, Presque lent, dans un sentiment intime
|
1min 34s |
|
|
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|
284. |
Ravel: Valses nobles et sentimentales, M. 61: No. 6, Vif
|
0min 39s |
|
|
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|
285. |
Ravel: Valses nobles et sentimentales, M. 61: No. 7, Moins vif
|
2min 44s |
|
|
|
|
286. |
Ravel: Valses nobles et sentimentales, M. 61: No. 8, Épilogue. Lent
|
4min 59s |
|
|
|
|
287. |
Ravel: Menuet sur le nom de Haydn, M. 58
|
2min 17s |
|
|
|
|
288. |
Ravel: À la manière de, M. 63: No. 2, Chabrier
|
2min 16s |
|
|
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|
289. |
Ravel: À la manière de, M. 63: No. 1, Borodine
|
1min 59s |
|
|
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|
290. |
Ravel: Gaspard de la nuit, M. 55: I. Ondine
|
7min 8s |
|
|
|
|
291. |
Ravel: Gaspard de la nuit, M. 55: II. Le Gibet
|
7min 8s |
|
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292. |
Ravel: Gaspard de la nuit, M. 55: III. Scarbo
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10min 9s |
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293. |
Dutilleux: Piano Sonata: I. Allegro con moto
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7min 39s |
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294. |
Dutilleux: Piano Sonata: II. Lent
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7min 8s |
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295. |
Dutilleux: Piano Sonata: III. Choral et variations
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11min 6s |
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296. |
Dutilleux: 3 Préludes pour piano: I. D'ombre et de silence
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3min 37s |
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297. |
Dutilleux: 3 Préludes pour piano: II. Sur un même accord
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3min 45s |
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298. |
Dutilleux: 3 Préludes pour piano: III. Le jeu des contraires
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7min 44s |
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299. |
Dutilleux: Tous les chemins ... mènent à Rome
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1min 45s |
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300. |
Dutilleux: Bergerie (Extrait du "Jardin d'enfants")
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1min 16s |
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301. |
Dutilleux: Blackbird
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1min 42s |
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302. |
Dutilleux: Les Nouveaux musiciens, Book 1: Résonances
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2min 42s |
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303. |
Dutilleux: Figures de résonances for 2 Pianos: No. 1
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1min 35s |
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304. |
Dutilleux: Figures de résonances for 2 Pianos: No. 2
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1min 24s |
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305. |
Dutilleux: Figures de résonances for 2 Pianos: No. 3
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2min 19s |
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306. |
Dutilleux: Figures de résonances for 2 Pianos: No. 4
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2min 14s |
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307. |
Dutilleux: Au gré des ondes: I. Prélude en berceuse
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2min 49s |
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308. |
Dutilleux: Au gré des ondes: II. Claquettes
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1min 6s |
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309. |
Dutilleux: Au gré des ondes: III. Improvisation
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1min 33s |
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310. |
Dutilleux: Au gré des ondes: IV. Mouvement perpétuel
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2min 0s |
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311. |
Dutilleux: Au gré des ondes: V. Hommage à Bach
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2min 52s |
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312. |
Dutilleux: Au gré des ondes: VI. Étude
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1min 15s |
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